UPSC CSAT : Reading Comprehension Home Exercise – 9. PASSAGE E

Search This Blog

Tuesday, 17 March 2015

Reading Comprehension Home Exercise – 9. PASSAGE E



Eliot’s idea of tradition is directly linked with his impersonal theory of art, as he insists on the poet’s duty to transcend the private self by loyalty to the tradition of European literature as a whole. He has expressed his views on the impersonality of poetry and the poetic process in his essay “Tradition and the Individual Talent” (1919). He says that poetry is not the expression of the personality of the poet. Revolting against the romantic theory of poetry as the expression of self, Eliot propounds a theory of poetry which views poetic process not as an externalization of personal feelings, but as a complete surrender of personality. He insists on viewing the whole of European literature as a continuity where each work of the present modifies the past works and is in turn modified by them. Eliot’s views on the nature of the poetic process are also noteworthy. Poetry according to him, is not inspiration, it is an organization. A great number of varied feelings, emotions and experiences are stored up in the mind of the poet who amalgamates them and forms a new whole out of them. The poetic process, therefore, is that of organization of fusing a new whole out of them. The poetic process therefore is that of organization, of fusing different experiences and feelings into a new whole. Perfect Poetry can be produced only when there is “unification of sensibility”. The greatness of a poem does not depend not depend on the types of pleasure it gives or the quality of moral improvement it effects, but on the order an unity it imposes on the chaotic and disparate experiences of the poet. A good poem must give the impression of a perfect organization experiences. 

Eliot elucidates his impersonal theory by examining, first, the relation of the poet to the past, and secondly the relation of the poem to its author. The past, Eliot says, is never, dead; it lives in present. “No- poet, no artist of any sort, has his complete meaning alone. His significance, his appreciation, is the appreciation of his relation to and comparison, among the dead. “Eliot insists on the importance of the relation of the poem to other poems by other authors, and suggests the conception of poetry as a living whole of all the poetry that has ever been written.

The artistic process, according to Eliot, is a process of depersonalization, the artist’s continual surrender of himself as he is at the moment to something which is more valuable. He must surrender himself totally for the creative work. “The progress of an artist is a continual self-sacrifice, a continual extinction of personality. Eliot also points out the relation of the poem to its author; the poem, according to him, has no relation to the poet. The difference between the mind, of a mature poet and that of an immature one is that the mind, of a mature poet is “a more finely perfected medium in which special” or very varied, feelings are at liberty to, enter, into new combinations”.

Emotions and feelings are the elements which entering the presence of the poet’s mind which acts as a catalyst, go into the making of a work of art. The final effect produced by a work of art may be formed out of several emotions into one; it may be formed out of a single emotion or out the feeling evoked in the poet by various words and images. It is also possible that it may be composed of feelings alone, without using any emotion. Thus, “the poet’s mind is a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together”.

1.       What could be the source of this passage?

A.      Poetry is not true according to Eliot?
B.      Poetic  process is not just an external expression of personal feelings
C.      The past has no reflection on the present
D.      The poem has no relation to the poet

2.       What is the style of writing employed in this passage?

A.      Eliot’s idea of Tradition
B.      Eliot’s impersonal Theory of Art
C.      Nature of Poetic Process
D.      Eliot’s impersonal Theory of Poetry

3.       What does Eliot mean by the term “unification of sensibility?

A.      A joining together of ideas in life
B.      An amalgamation of influences on European literature
C.      An organized presentation of chaotic and disparate experiences of the poet
D.      A unified record of the poet’s perceptions dipped in tradition

4.       What does the romantic theory of poetry advocate?
A.      Poetry should follow the poet’s own imagination and his individualism
B.      Poetry is a process of the artists continual surrender of himself to the art form
C.      Poetry is expression of the poet’s own experiences in terms of the established rules of literature
D.      Poetry, as an art form, has no relation to the poet

5.       What is Eliot’s view on the past works European literature?

A.      All the past works of European literature are dead and have no validity in the present day
B.      European literature is a dynamic entity  where every present work has its influence on the past works and is simultaneously modified by them
C.      All the past works of European literature have only modified the thought process of the poets of the preset day.
D.      All the past works of European literature advocate the individualism of the poets

Answer:

1.       C    Refer to paragraphs 1, 2 and 3-all statements except C are stated. In paragraph 2, Eliot clearly states that the past is never dead; rather, it always lives in the present. Hence C.

2.        D   The passage does not elucidate A, there is only a passing reference.
B is too general since the passage does not talk about art in general.
C   refers to only one of the aspects discussed and hence is too narrow in scope. Hence D.

3.       C   Refer to paragraph 1, last three lines.

4.       A     Para 1 state that the romantic theory of poetry propounds that poetry is an expression of the poet’s own self. Therefore, the poet’s own perceptions and his individualism are of utmost importance. Hence A.

5.       B  Eliot believes that the past is never dead, thus ruling out option A. option D is not mentioned anywhere.   Option D highlights only one aspect, that of the past influencing the present and not of the other way around. Hence B.

No comments:

Post a Comment

Followers